- Teresa Isasi / APReunited for a family wedding, former lovers played by Penelope Cruz and Javier Bardem find themselves embroiled in a kidnapping in "Everybody Knows," directed by Asghar Farhadi. Read the review.
- Warner Bros. PicturesA Manhattan architect (Rebel Wilson) finds herself living inside a cliched romantic comedy in the cliched romantic comedy "Isn't It Romantic." Read the review.
- Patti Perret/UniversalViggo Mortensen as Tony Vallelonga and Mahershala Ali as Dr. Donald Shirley in "Green Book," directed by Peter Farrelly. Read the review. Nominated for: Best Picture, Best Actor for Viggo Mortensen, Best ing Actor for Mahershala Ali, Best Original Screenplay, Best Film Editing,
- Atsushi Nishijima / APQueen Anne’s (Olivia Colman) court wrestles with the question of how to finance a war with . Lady Sarah (Rachel Weisz), the Duchess of Marlborough, uses her wits, her body and the queen’s bed to coerce Anne into raising taxes on the citizenry in order to keep the off-screen battle going. Then the unexpected arrival of her country cousin, Abigail (Emma Stone), a noblewoman fallen on hard times. A dab hand with medicinal herbs, Abigail quickly rises above servant status to become the queen’s new favorite. Game on! Read the review. Nomainted for: Best Picture, Best Actress for Olivia Colman, Best ing Actress for Emma Stone and Rachel Weisz, Best Director for Yorgos Lanthimos, Best Original Screenplay, Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design,
- Alfonso Cuaron/NetflixIn a series of ravishingly detailed vignettes, Alfonso Cuaron creates the year's most indelible act of cinematic memory in this story of early 1970s Mexico, as seen through the eyes of a caregiver. Read the review. Nominated for: Best Picture, Best Actress for Yalitza Aparicio, Best ing Actress for Marina de Tavira, Best Director for Alfonso Cuarón, Best Original Screenplay, Best Cinematography, Best Foreign Language Film, Best Sound Editing, Best Sound Mixing, Best Production Design,
- Duncan McCallum/Orion PicturesAnna (Ella Hunt) fits off zombies with her friends in this musical movie. Read the review.
- Music Box FilmsAlba August plays the young Astrid Lindgren, author of "Pippi Longstocking" and other favorites, in "Becoming Astrid." Read the review.
- Tatum Mangus / APStephan James and KiKi Layne play Fonny and Tish, expectant parents in 1970s Harlem in the new James Baldwin adaptation "If Beale Street Could Talk." Read the review.
- Walt Disney Studios Motion PicturesEmily Blunt stars as the magical P.L. Travers nanny in 'Mary Poppins Returns.' Read the review.
- Universal PicturesIn artist Mark Hogancamp's imagined world, alter ego Cap'n Hogie (Steve Carell in animated form) fights Nazis with G.I. Julie (Janelle Monae) and Caralala (Eiza Gonzalez) in "Welcome to Marwen." Read the review.
- STX EntertainmentIn a weak mashup of "Working Girls," "Maid in Manhattan" and a hundred other rom-coms, Jennifer Lopez enjoys strong on-screen from her co-workers. Read the review.
- Matt Kennedy / APWashington D.C. power brokers Dick Cheney (Christian Bale) and Lynne Cheney have a date with destiny in Adam McKay's "Vice," co-starring Steve Carell as Donald Rumsfeld. Read the review. Nomainted for: Best Picture, Best Actor for Christian Bale, Best ing Actor for Sam Rockwell, Best ing Actress for Amy Adams, Best Director for Adam McKay, Best Original Screenplay, Best Film Editing, Best Hair and Makeup,
- Warner Bros.Clint Eastwood, right, with Taissa Farmiga, in "The Mule," which Eastwood also produced and directed. Read the review.
- NeonNatalie Portman plays the school shooting-survivor-turned-pop diva in "Vox Lux." Read the review.
- Roadside AttractionsBen (Lucas Hedges, right) and his mother, Holly (Julia Roberts), wrestle with addiction and embark on a dark night of the soul in writer-director Peter Hedges' drama "Ben is Back." Read the review.
- Warner Bros. PicturesThe son of a lighthouse keeper pop and an Atlantis dweller mom, Aquaman (Jason Momoa) travels from the mainland to the undersea realms in director James Wan's "Aquaman." Read the review.
- Sony Pictures"Spider-Man: Into the Spider-Verse" takes familiar mythology and finds the right animated incarnation to make it feel fresh. Read the review.
- Smith Global MediaA strong cast can't authenticate this made-in-Chicago indie about an African-American teenager wrongfully accused of murder. Read the review.
- Gene Siskel Film CenterIn the film "Life and Nothing More," waitress Regina, played by Regina Williams, struggles every week to get by, and to be a decent mother to her two children. Read the review.
- Amazon StudiosA jazz musician (Tomasz Kot) and his fellow exile, a vocalist (Joanna Kulig), follow their hearts across postwar Europe in "Cold War," directed by Pawel Pawlikowski of the Oscar-winning "Ida." Read the review.
- Jessica Kourkounis / APCapping the trilogy started with "Unbreakable" (2000) and the surprise hit "Split (2017), Shymalan's treatise on superhero origin stories brings James McAvoy, Bruce Willis and Samuel L. Jackson together for a plodding psych-hospital escape. Read the review.
- Curzon Film World Ltd.Matt Dillon plays "Mr. Sophistication," the serial killer at the center of Lars von Trier's "The House That Jack Built." Uma Thurman and Riley Keogh play two of many victims. Read the review.
- The OrchardLorenzo Ferro plays a murderous, disaffected thief living recklessly in 1971 Buenos Aires in "El Angel," based on a true story. Read the review.
- Nick Wall / Sony Pictures ClassicsComedy giant Mr. Laurel (Steve Coogan, right) toasts his longtime partner Mr. Hardy (John C. Reilly) on their UK stage tour in the new film "Stan and Ollie," based on a true story. Read the review.
- Graham Bartholomew / APA tropical island boat captain (Matthew McConaughey) and his much-abused ex-wife (Anne Hathaway) enter a vortex of rough justice and fancy riddles in "Serenity." Read the review.
- Doane Gregory / Summit EntertainmentSnowplow driver Nels Coxman (Liam Neeson) sets his sights on drug lords and revenge in "Cold Pursuit," a remake of the 2014 Norwegian thriller "In Order of Disappearance." Read the review.
- Warner Bros. PicturesIn "They Shall Not Grow Old," century-old archival footage of British infantrymen in the World War I trenches gets cleaned up, digitized, colorized and dramatically heightened by "Lord of the Rings" director Peter Jackson. Read the review.
- Cinema GuildIn the Turkish drama "The Wild Pear Tree," university graduate Sinan (Dogu Demirkol) returns home with dreams of publishing his first novel. Read the review.
- DreamWorksHiccup (voiced by Jay Baruchel), right, concludes his saga with his beloved cohort Toothless in "How to Train Your Dragon: The Hidden World." Read the review.
- Metro Goldwyn Mayer PicturesThe shining star of a Norwich, England, wrestling clan (Florence Pugh) dreams of WWE glory in America in "Fighting with My Family," based on a true story. Read the review.
- Jonathan Hession / APIsabelle Huppert and Chloe Grace Moretz star in the thriller "Greta." Read the review.
- Ilze Kitshoff / NetflixBased on a true story of how a windmill saved a village from drought, "The Boy Who Harnessed the Wind" marks the feature filmmaking debut of Chiwitel Ejiofor (left, with Maxwell Simba). Read the review.
- Gene Siskel Flim CenterSpanning 1963-1973, the Oscar-nominated 1979 documentary "The War at Home" chronicles anti-war activism and institutional response at the University of Wisconsin-Madison. Read the review.
- WellGo USAChildhood friends and uneasy lovers played by Yoo Ah-in (left) and Jeon Jong-seo (center) find their lives disrupted by a mysterious man of means (Steven Yeung, right) in "Burning." Read the review.
- CBS Films/Lily GavinPenniless, driven, the Dutch painter Vincent van Gogh (Willem Dafoe) regards his next canvas subject in "At Eternity's Gate," directed by visual artist and filmmaker Julian Schnabel. Read the review.
- Atsushi Nishijima / APThis image released by Fox Searchlight Films shows Olivia Colman in a scene from the film "The Favourite." (Atsushi Nishijima/Fox Searchlight Films via AP)
- Cohen Media GroupBuster Keaton's 1924 comedy "Sherlock Jr." is one of many comic miracles highlighted by Peter Bogdanovich's documentary "The Great Buster." Read the review.
- APVanellope von Schweetz (voiced by Sarah Silverman) and Ralph (John C. Reilly) zip around the web in a mad dash to save Vanellope's arcade game, "Sugar Rush," in this wild sequel to the 2012 "Wreck-It Ralph." Read the review.
- MGM PicturesAdonis Creed (Michael B. Jordan, right) prepares to fight Vickor Drago (Florian Munteanu), vicious son of the vicious Russian who killed Creed's father, in "Creed II." Read the review.
- Merrick Morton / Warner Bros.After her husband dies in a robbery attempt, Veronica (Viola Davis, left) plans a heist in the Chicago-set crime thriller "Widows," co-starring Cynthia Erivo. Read the review.
- NetflixA singing cowboy (Tim Blake Nelson) immortalizes his own vicious deeds in part one of the six-part "Ballad of Buster Scruggs," written and directed by Joel Coen and Ethan Coen. Read the review.
- Gene Siskel Film CenterA pair of museum thieves (Gael Garcia Bernal and Leonardo Ortizgris) try to convince a wily artifacts dealer (Simon Russell Beale, left) to buy their loot in "Museo." Read the review.
- Jaap Buitendijk/ Warner Bros. PicturesThe Hogwarts-trained "magizoologist" Newt Scamander (Eddie Redmayne) travels abroad to stop the rise of a Dark wizard played by Johnny Depp in "Fantastic Beasts: The Crimes of Grindelwald." Read the review.
- Paul Conroy/Aviron PicturesSunday Times correspondent Marie Colvin (Rosamund Pike) is the subject of documentarian Matthew Heineman's first narrative feature, "A Private War." Jamie Dornan costars. Read the review.
- Reiner Bajo / Sony Pictures EntertainmentVigilante cyber-hacker extraordinaire Lisbeth Salander (Claire Foy) reckons with unfinished family business and a doomsday scenario in "The Girl in the Spider's Web: A New Dragon Tattoo Story." Read the review.
- Chip Bergmann / APA high-powered ad agency executive (Tika Sumpter, right) takes in her ex-con sister (Tiffany Haddish, center) in "Nobody's Fool." Read the review.
- NetflixA fateful birthday party for film director Jake Hannaford (John Huston) becomes a riot of images in Orson Welles' "The Other SIde of the Wind," making its world premiere on Netflix and at the Music Box. Read the review.
- Amazon StudiosAn Ohio farm girl (Dakota Johnson) travels to Cold War-era Berlin to a fearsomely demanding dance troupe in "Suspiria." Read the review.
- IFC FilmsIn 1960 Montana, a failed golf pro (Jake Gyllenhaal) steers his marriage to a part-time swim instructor (Carey Mulligan) straight into the flames in director Paul Dano's "Wildlife," based on the Richard Ford novel. Read the review.
- Twentieth Century FoxCelebrity profiler Lee Israel (Melissa McCarthy, right) turns to a life of literary crime with the aid of her friend Jack Hock (Richard E. Grant) in "Can You Ever Forgive Me?" Read the review.
- LionsgateUSS Omaha commander Capt. Joe Glass (Gerard Butler) s forces with a Russian submarine captain (Michael Nyqvist) to combat a rogue Russian defense minister in "Hunter Killer." Read the review.
- Tobin Yelland / APRisk-prone 13-year-old Stevie (Sunny Suljic, left) shares some of his angst with one of the local LA skateboarding idols, Ray (Na-Kel Smith), in writer-director Jonah Hill's "Mid90s." Read the review.
- Bleeker StreetBridget (Hilary Swank) returns home to Chicago after her mother's Alzheimer's diagnosis, Ruth (Blythe Danner). Read the review.
- Ryan Green / Universal PicturesTraumatized for decades, ex-babysitter Laurie Strode (Jamie Lee Curtis) defends her home from the advances of an old adversary in director David Gordon Green's "Halloween." Read the review.
- Amazon StudiosNic Sheff (Timothee Chalamet) comes to with his methamphetamine addiction, with the help of his father (Steve Carell), in "Beautiful Boy." Read the review.
- Music Box TheaterWith 1,000 dizzying solo ascents to his name, professional climber Alex Honnold takes on the granite face of Yosemite National Park's El Capitan in "Free Solo." Read the review.
- Erika Doss / APAn Atlanta teenager (Amandla Stenberg) deals with the death of her friend in "The Hate U Give," director George Tillman Jr.'s fine adaptation of the best-selling young adult novel. Read the review.
- Daniel McFadden / APIn "First Man," Ryan Gosling reteams with "La La Land" director Damien Chazelle to relay the story of astronaut Neil Armstrong, the first man on the moon. Read the review.
- Kimberley French/20th Century FoxA sinister, abs-conscious cult leader (Chris Hemsworth) shows up to cause trouble for the guests of a Lake Tahoe-area no-tell motel in "Bad Times at the El Royale." Read the review.
- Warner Bros. PicturesBradley Cooper’s Jackson Maine is a roots-rock singer-songwriter battling chemical demons and a restless emptiness inside. And then he meets Ally (Lady Gaga) who he convinces to share her vocal chomps with the world. Read the review. Nominated for: Best Picture, Best Actor for Bradley Cooper, Best Actress for Lady Gaga, Best ing Actor for Sam Elliott, Best Adapted Screenplay, Best Cinematography, Best Sound Mixing, Best Original Song for “Shallow” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice,
- Fox Searchlight PicturesForrest Tucker (Robert Redford) has an interesting his job -- robbing banks. And then he meets Jewel (Sissy Spacek). Read the review.
- Universal PicturesA high school dropout (Kevin Hart, right) struggles with learning disabilities while preparing for his GED with the tough-love help of his instructor (Tiffany Haddish). Read the review.
- IFC FilmsThe courtship and marriage of musician Blaze Foley (Ben Dickey) and aspiring actress Sybil Rosen (Alia Shawkat) provides the focus of "Blaze," directed and co-written by Ethan Hawke. Read the review.
- Bleeker StreetUshered into high society Paris, a Burgundy-born country girl (Keira Knightley) finds her marriage to a brand-conscious libertine (Dominic West) an obstacle to her literary career. Read the review.
- Jon Pack/Amazon PicturesA suicidal depressive (Oscar Isaac, right) recalls happier times with the love of his life (Olivia Wilde) in "Life Itself." Read the review.
- Magnolia PicturesGilda Radner, the funniest woman on television in the 1970s, got hired by Lorne Michaels for what was originally called “NBC’s Saturday Night” before anybody else. The documentary works different ways for different viewers. For older fans, it’s a welcome excuse to reminisce. For newcomers it’s an entertaining primer on Radner’s life, times, demons and famous inventions. Read the review.
- HuluGrowing up in Rockford, cinematographer and director Bing Liu spent a lot of his teenage years skateboarding and filming his friends doing the same. The three main nonfiction characters comprise a Rust Belt edition of The Three Musketeers, each young man seeking solace and escape in skateboarding. Read the review.
- Oscilloscope FilmsMadeline (Helena Howard) has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. Read the review.
- STX EntertainmentA human detective (Melissa McCarthy) and her puppet partner investigate grisly killings among the cast of a "Muppet Show"-type program in "The Happytime Murders." Read the review.
- Graeme Hunter PicturesNobel Prize-winning author Joseph Castleman (Jonathan Pryce) hits the wall in his marriage to a former student, Joan (Glenn Close), in "The Wife." Read the review.
- Bleeker Street CinemaDevil's Island-bound, Parisian safecracker Henri "Papillon" Charriere (Charlie Hunnam) plots a prison escape with counterfeiter Louis Dega (Rami Malek) in "Papillon." Read the review.
- APSix miles beneath the Pacific Ocean surface, a team of oceanographers and experts discover an entire hidden ecosystem laden with species “completely unknown to science.” But Meg comes calling, attacking the submersible piloted by the ex-wife (Jessica McNamee) of rescue diver Jonas Taylor (Jason Statham). Read the review.
- Laurie Sparham / APA grown-up Christopher Robin returns to the Hundred Acre Wood and his best friend Winnie the Pooh. Read the review.
- Music Box FilmsThe bizarre true story of Willi Herold, a German paratrooper separated from his unit in the chaotic final weeks of World War II. Herold came upon the abandoned car of a Luftwaffe captain. Read the review.
- Sony Pictures ClassicsA tradition-bound homemaker (Kelly Macdonald) finds solace and new possibilities while making puzzles. Read the review.
- LionsgateMixed up in her ex's secret life as a CIA agent, Audrey (Mila Kunis), right, and her best friend, Morgan (Kate McKinnon), develop a taste for espionage. Read the review.
- MubiA new documentary, filmed over five years, finds Japanese composer Sakamoto ("The Last Emperor," "The Revenant") confronting environmental and human mortality--including his own bout with cancer. Read the review.
- Chiabella James/Paramount Pictures and SkydanceIn his sixth round as Impossible Mission Force agent Ethan Hunt (Tom Cruise) has never suffered more grievous bodily harm. Nor has he risked his neck more flagrantly than in the trademark death-defiance on view here. Some of it’s pleasingly old school in its reliance on formidable stunt work. Read the review.
- A24Kayla (Elsie Fisher) is a middle-school student a few days away from graduation and the rest of her life. “Everything will work out,” she tells her scant audience of YouTube channel followers in the video post opening the film, if “you’re just being yourself.” She’s hoping for the best with that one. Read the review.
- Ariel Nava / LionsgateOn his last night of parole, ex-con Collin (Daveed Diggs), a biracial Oakland resident who has recently witnessed a fatal police shooting, arrives at an overwhelmingly white party. He’s accompanied by the rowdy powder keg Miles (Rafael Casal), a white-Latino who has grown up on black streets, and in black culture, and sports a blinding grill as a badge of honor. Read the review.
- Universal PicturesAnti-purge activist Nya (Lex Scott Davis) and her at-risk brother Isaiah (Joivan Wade) try to run from their murderous fellow citizens in "The First Purge," a prequel to the thriller franchise. Read the review.
- Annapurna PicturesHotshot telemarketer "Cash" Green (Lakeith Stanfield) risks losing everything in the name of success in "Sorry to Bother You." Read the review.
- Michael Phillips / HANDOUTDax (Lil Rel Howery) gave up playing basketball after getting a crucial buzzer-beater whapped out of the sky by his nemesis, Mookie (Nick Kroll). Now Dax coaches Harlem street ball and has sunk his life savings into the Rucker Classic tournament. Uncle Drew (Kyrie Irving) holds the key to Dax’s redemption. Read the review.
- Magnolia PicturesIt’s the age of The Wild West, circa 1870. An affluent pioneer, Samuel Alabaster (Robert Pattinson) ventures deep into the American wilderness to reunite with and marry the love of his life, Penelope (Mia Wasikowska). Read the review.
- Ben Rothstein / Marvel StudiosThe story continues with ex-con Scott Lang (Paul Rudd), who stumbled onto the subatomic-particle spandex invented by former S.H.I.E.L.D. agent Hank Pym (Michael Douglas). For 30 long years Hank’s wife and partner Janet (Michelle Pfeiffer) has been lost in the quantum realm; daughter Hope (Evangeline Lilly) yearns for her, as does Hank. Now it’s Hope’s turn to put on the suit and, like Lang/Ant-Man, radically shift her size and dazzle her enemies with the click of a remote and a kick to the head. Read the review.
- Richard ForemanAlong the Mexico/U.S. border, a cartel-paid coyote leads a group of desperate migrants across a river at night. U.S. border patrol helicopters and ground vehicles prepare for another routine roundup. One migrant, however, is revealed to be a suicide bomber. Read the review.
- Universal StudiosBack on Isla Nublar, the toothsome meat- and plant-eaters cloned for adventure park fun and profit are threatened with extinction thanks to a newly active volcano. A kindly colleague of the original park’s inventor (played by James Cromwell) wants to bankroll the rescue of the surviving dinosaurs, which he plans to relocate to a sanctuary. But with the master on his deathbed, a weaselly factotum (Rafe Spall) schemes to sell the newly weaponized creatures to the highest international bidder. Read the review.
- Armando L. Sanchez / Chicago TribuneIn contrast, "Junk" (Mute"), M83's seventh studio album, sounds chintzy — a bubble-gum snyth-pop album that indulges Gonzalez's love of decades-old TV soundtracks, hair-metal guitar solos and kitschy pop songs. Read the full review.
- Island Records"The Hope Six Demolition Project" (Island) is a type of musical documentary or new journalism based on her firsthand reports from Kosovo, Afghanistan and Washington, D.C. It brims with searing images and vivid vignettes, a work that belongs in the discussion with Kendrick Lamar's "To Pimp a Butterfly" or D'Angelo's "Black Messiah" as one of the most powerful protest albums of recent years. Read the full review.
- Rough Trade RecordsParquet Courts can be a ferocious rock band, as affirmed by the talon-like riff on "Paraphrased" and the breathless, you-are-there urban nightmare of "Two Dead Cops." But this is a dreamier, darker and at times surprisingly beautiful album — the turmoil is more in the narrator's mind than in the music pumping through the speakers. Read the review.
- WarpBrian Eno's been especially prolific lately, and "The Ship" (Warp) continues his recent run of creativity, an album that has few direct antecedents in his vast discography and arrives as a late-career landmark. Read the review.
- A casual listen or two might consign “A Moon Shaped Pool” to the latest in a series of Radiohead releases post-“Kid A” (2000) that are more about texture and arty experimentation than guitar rock or pop structure. But as with most Radiohead releases, there’s something more going on. Read the review.
- Frank Gunn / The Canadian PressSound often says it all in Drake's world, but "Views" plays in a narrow range. The trademark hovering synths and barely-there percussion edge out most of the hooks, in favor of long fades and enervated tempos that start to drag about halfway through this slow-moving album. Read the review.
- Lawrence K. Ho / Los Angeles Times“Lemonade” is more than just a play for pop supremacy. It’s the work of an artist who is trying to get to know herself better, for better or worse, and letting the listeners/viewers in on the sometimes brutal self-interrogation. Read the full review.
- Handout"Coloring Book" is a 14-song exploration of musical richness, the story not just of a young African-American raised on hip-hop and steeped in the sounds that shaped it — gospel, soul, doo-wop, jazz and, heck, just for fun, how about some classical orchestrations and Caribbean music? — but of a community. Read the review.
- Columbia RecordsAs mood pieces go, "Fallen Angels" is a notch or two below its predecessor. Dylan glides through most of these dozen songs without reaching the devastating emotional connection afforded by "Autumn Leaves" and "That Lucky Old Sun" from "Shadows in the Night." Instead, the peaks on his latest album arrive with his languid minor-key reading of "On a Little Street in Singapore" and the Louis Prima-like Latin tinge he brings to "That Old Black Magic." Read the review.
- Anti"Kidsticks" (Anti), only her third album since 2006, doesn't sound like a singer-songwriter project at all. It positions her as a ghost amid the machines, an irable but ultimately failed attempt at reinvention. Read the review.
- ConcordPaul Simon's a restless guy. Even after all the millions of record sales and a dozen Grammy awards, he remains a connoisseur of the exotic, a sound collector who happens to write songs. On "Stranger to Stranger" (Concord), his 13th solo album, he blends the custom-made, fancifully titled cloud-chamber bowls and chromelodeons of maverick composer Harry Partch with an army of globe-spanning musicians into off-kilter pop songs. Read the review.
- AntiIt started with an email from k.d. lang to a couple of singers she knew and ired, Neko Case and Laura Veirs. A few years later, the trio — billing itself as case/lang/veirs — has its first album: "case/lang/veirs" (Anti). The voices and songs, as one might expect, are first rate. The bigger question was whether there would there be a sense of chemistry, an organic feel to the union that would raise it above the usually mediocre (or worse) level of most such hey-let's-get-together-and-jam all-star collaborations. Read the full review.
- Amazon.com"The Mountain Will Fall" (Mass Appeal) finds DJ Shadow mixing two thumping, old-school hip-hop tracks with atmospheric instrumentals that skitter and slither in the shadows. Read the rull review.
- Columbia"blackSUMMERS'night" is billed as the second part of a trilogy begun in 2011 with "BLACKsummers'night." But in reality all five of the singer's albums share some essential DNA, and there's nothing wrong with that. He is nearly his own genre, as distinctive among today's R&B singers as he was when he debuted 20 years ago with "Urban Hang Suite." Read the full review.
- Amazon.comThe Julie Ruin, the latest project from Riot Grrrl trailblazer Kathleen Hanna, merges many of her many past lives in music: a dash of Bikini Kill's proto-feminist garage-punk, a pinch of Le Tigre's dance-pop celebration, and a dose of the bedroom-project introspection that characterized the singer's first record under the Julie Ruin moniker in the '90s. Read the full review.
- Amazon.com"Wildflower" marks the return of co-founders Robbie Chater and Tony Di Blasi, and the debut's mix of childlike wonderment remains intact. A wistful nostalgia prevails, and the sequencing evokes a circus carnival or a trippy joy ride into the vast Australian wilderness. Read the full review.
- AP"Love & Hate" shows Kiwanuka breaking out of that stylistic box. His core remains intact: a grainy, world-weary voice contemplating troubled times in intimate musical settings. The album announces its more ambitious intentions from the outset, with the trembling strings, episodic piano chords and wordless vocals of the 10-minute "Cold Little Heart." It's a striking, if atypical, approach to reintroducing himself to his audience — a five-minute preamble before Kiwanuka begins to sing. Read the full review.
- Closed SessionsAt a distance, Jamila Woods sounds gentle, soothing, the perfect accompaniment to a blissful day on the beach. Her voice disarms, but her words bristle with questions and doubts. Her tone affirms even as she struggles with what it means to be a target, an "alien from inner space" in a city that both affirms and disappoints her. Her first solo album, "HEAVN", establishes this poet, songwriter and singer as the next major voice in a multifaceted community of hip-hop and soul that has seen powerful work in recent months from artists ranging from Chance the Rapper, Joey Purp, Eryn Allen Kane and many others. Read the full review.
- Amazon.comLydia Loveless has a way of cutting out all the euphemisms and coping mechanisms that humans routinely use to get through a crisis. "But if self-control is what you want," she sings with rueful hint of a laugh, "I'd have to break all of my fingers off." That sort of brutal honesty — skirting self-pity and finger-pointing — underlines each of Loveless' songs about teetering relationships and messy breakups on her fourth studio album, "Real." Read the full review.
- Armando L. Sanchez / Chicago TribuneOn their new album, "Existentialism," the Mekons turn their audience and the recording space into accomplices for the band's high-wire act. Read the full review.
- HandoutOn "Golden Sings That Have Been Sung", Ryley Walker charts a more individual course with the aid of producer Leroy Bach, formerly of Wilco. Read the full review.
- Jordan Strauss / AP"Blonde" is a critique of materialism with Frank Ocean employing two distinct voices, like characters in a play, a recurring theme throughout the album and perhaps its finest sonic achievement. A party spirals out of control, the music rich but low key, a melange of organ and hovering synthesizers. Ocean uses distorting devices on his voice to add emotional texture and to enhance and sharpen the characters he briefly embodies. The upshot: They're all little slices of Ocean's personality with a role to play and they each sound distinct. Read the full review.
- RedEyeAngel Olsen's fourth album, "My Woman", begins in a landscape of icy synthesizers and finishes with a piano ballad so intimate that it's unnerving. Olsen's songwriting has a way of undressing emotions, and she's got a voice that holds nothing back. Now she's made an album that sounds far bolder than anything she's released so far. Read the full review.
- Nuccio DiNuzzo/Chicago TribuneNow "Schmilco" (dBpm Records) arrives, a product of the same recording sessions that produced "Star Wars" but a much different album. Though it's ostensibly quieter and less jarring than its predecessor, it presents its own radical take on the song-based, folk and country-tinged side of the band. Read the full review.
- Ross Gilmore / Redferns via Getty ImagesOn "Here" (Merge), the band's first album in six years and 10th overall, the front line of Norman Blake, Gerard Love and Raymond McGinley once again trades songs (four each) and lead vocals, over sturdily constructed pop-rock arrangements. But the band has taken some subtle evolutionary turns to where it's now a faint shadow of its "Bandwagonesque" incarnation. Read the review.
- Carl Court / Getty-AFPNick Cave has been singing about mortality for decades, and he's really good at it. Whether the narratives are biblical or pulpy, the victims innocents or death row convicts, the circumstances comprehensible or cruelly random, Cave's songs are on intimate with the infinite ways a life can be extinguished. And yet, "Skeleton Tree", his latest album with his estimable band, the Bad Seeds, is a relatively concise song cycle shadowed by death that feels different than all the rest. Read the full review.
- Chris Sweda / Chicago TribuneWarpaint's unerring feel for gauzy hooks and slinky arrangements germinated over a decade and flourished on the quartet's excellent 2014 self-titled album. But the band has always nudged its arrangements onto the dance floor — subtly on record, more overtly on stage — and "Heads Up" (Rough Trade) gives the group's inner disco ball a few extra spins. Read the review.
- APOn "22, A Million," Justin Vernon reimagines his music from the bottom up by letting technology — synthesizers, treated vocals, electronic sound effects — dictate. The songs retain their melancholy cast, but now must fight for air beneath static and noise. Read the full review.
- Columbia"A Seat at the Table" is in no hurry to deliver a knockout punch. Instead, its subtle grooves and delicate vocals underplay the steely resolve, the long-simmering ache in the words. By Solange's design, "A Seat at the Table" is meant to be inclusive both in of message and music, untethered from formula or bromides. Read the review.
- ATOIt's being billed as the band's most political record, but that's selling it short. This is a record about the notion that the so-called melting pot that is America is in reality more often like a collection of cul de sacs, a country divided by suspicion and fear. At the heart of these 11 songs is a plaintive question: How to live in a democracy when everyone who doesn't look, talk or act like you is perceived as a misfit or a threat? Read the review.
- Columbia RecordsAs for all that business about the dying of the light, Leonard Cohen keeps his stride purposeful and pointed. In "It Seemed the Better Way," the blinders that human beings sometimes need to get through the day are no longer deemed necessary: "Sounded like the truth, but it's not the truth today." In this world, not a word or a minute is wasted. Read the review.
- Nuccio DiNuzzo / Chicago Tribune"Black America Again" (ARTium/Def Jam) arrives as a one of the year's most potent protest albums. The album sags midway through with a handful of lightweight love songs, but finishes with some of its most emotionally resounding tracks: the "Glory"-like plea for redemption "Rain" with Legend, the celebration of family that is "Little Chicago Boy," and the staggering "Letter to the Free." Read the review.
- Amazon.comBreak-ups can be inspiring, as centuries of music have proven. For Emeli Sande, heartbreak provided clarity and courage on "Long Live the Angels." Read the full review.
- Amazon.comWith 12 songs spread across 78 minutes and two discs, "Hardwired" contains some tightly focused rage and ink-black humor amid its bloat. It's not the worst chapter in the band's history, nor does it rise to the level of its finest work, now more than 25 years in the past. Read the full review.
- Split SingleJason Narducy is an in-demand sideman, but also a first-rate songwriter and band leader, as reaffirmed by the second Split Single album, "Metal Frames." Read the full review.
- Interscope RecordsThe Chicago blues they studied as kids growing up in London will always be with the Rolling Stones, and it's only fitting that the forthcoming "Blue and Lonesome," due out Dec. 2, is devoted to that lifelong devotion. Read the full review.
- Amazon.com"Redemption" folds a recurring question inside music that melds machine-like cadences with organic virtuosity. "Can you hear the voices?" she sings with increasing defiance on one track. On "LA," a poignant plea — "We just want to know if we really matter?" — plays out over a suitelike track that links together lean electronic rhythms, a big guitar solo and then a skittering trumpet coda by jazz great Trombone Shorty. Read the full review
- AP"Peace Trail" — Neil Young's second album this year and sixth since 2014 — is occasionally fascinating. It's also not very good, a release that surely would've benefited from a bit more time and consideration, which might have given Young's ad hoc band — drummer Jim Keltner and bassist Paul Bushnell — a chance to actually learn the songs. But the four-day recording session sounds like a getting-to-know-you warmup instead of a finished product. Read the full review.
- HandoutFor hip-hop veterans El-P and Killer Mike, their collaboration in Run the Jewels has outgrown its boisterous, blow-off-some-steam origins. The self-released “Run the Jewels 3” is an album that megaphones its restlessness while retaining its wicked sense of fun. It’s an album about the often underestimated power of the powerless, even as it celebrates the almost telepathic collaboration between two of the era’s most gifted MC’s. Read the full review.
- Alasdair McLellanJust like the lower-case letters in the band's name, the xx never calls attention to itself. In a pop world dominated by bombast and beats, this is a band that prefers to play it understated and subliminal. On "I See You" (Young Turks Recordings) — only its third album since 2009 — the London-based trio doesn't so much shake up its approach as refine it. Read the full review.
- HandoutThe Vancouver duo's third album, "Near to the Wild Heart of Life" (Anti), is sometimes as overblown as its title, in the tradition of guitar-driven melodramas such as Bruce Springsteen's "Born to Run" or the Hold Steady's "Boys and Girls in America," if not nearly as accomplished. Read the full review.
- Drag CityIn exploring the possibilities of what a five-piece rock band can accomplish, Segall makes it more apparent why he simply wanted to stamp his name on the album cover. No fancy titles needed. If you're looking for a relatively concise 10-track, 36-minute introduction into the best of Segall's music, this is it. Read the full review.
- Merge RecordsOn his 10th solo album, "Hey Mr Ferryman" (Merge), mortality hangs heavy, but he's refreshingly nonchalant about the whole Grim Reaper thing, like what's the big deal? Read the full review.
- The Washington Post/Getty Images"Nothing Feels Natural" doesn't come off like a new band's first statement. It sounds fully formed and wickedly confident, the work of four people who had to get a few things off their chest. Read the review.
- Kevin Winter / Getty ImagesThe self-released "Drogas Light," Lupe Fiasco's first album since severing ties with Atlantic, brought hope that it might rekindle the spark and freshness of his 2006 debut, "Lupe Fiasco's Food & Liquor." Instead, it falters beneath its own cynicism. Read the full review.
- Bar NoneOn each of their albums, movement and the age of time are big subjects, and the idea of something being "in between" sums up their approach perfectly. This is music about seeing the world from the window of moving car or subway train, a series of blurred images, life as a kaleidoscope. The destination is always just over the horizon. Read the review.
- Brainfeeder"Drunk" (Brainfeeder) crams 23 songs and snippets into 51 minutes that evoke the sumptuous jazz-infused R&B of the '70s, filtered through catchy melodies, undergirded by virtuoso musicianship and salted with conflicting emotions. Read the full review.
- Aural Apothecary/Columbia RecordsOn "Heartworms" (Aural Apothecary/Columbia Records), the first Shins album in five years, James Mercer opens up in lyrics that are as emotionally transparent as his melodies. Read the review.
- MatadorNo one would ever characterize Spoon as a dance band, but its core is as much about groove as songs — an emphasis that has never been more pronounced than on "Hot Thoughts" (Matador). It swings, in the raw guitar-centric tradition of the Rolling Stones' "Black and Blue" or Prince's "Kiss." Read the review.
- APAimee Mann's "Mental Illness" contains beautiful songs about being stuck in a rut, the notion that some people's lives are about endlessly repeating the same mistake expecting a different result. Read the full review.
- Relapse Records"Sacred" marks The Obsessed's first album in 23 years. Though the somewhat leaden opener, "Sodden Jackal," tries to bring things full circle by namechecking one of the band's earliest singles, the bulk of the 14-track album is more than just a rehash of past glories. Read the review
- Yep Roc RecordsHitchcock has made an album that underlines his strengths. Producer (and Jack White collaborator) Brendan Benson surrounds the artist with acolytes, including Grant Lee Phillips and Gillian Welch. Read the review
- Bertrand Guay, AFP/Getty ImagesThe title song from "Deliverance" is Grade-A late-period Prince, 3-plus-minutes of piano-organ interplay and sanctified backing vocals that impart an anthemic gospel feel. Read the review
- Parlophone UKAmid a series of electronic soundscapes that incorporate club, dance hall, R&B and hip-hop rhythms and textures, Albarn packs the album with songs that speak to the instability of uncertain times. Read the review
- Sub PopGreg Dulli is no psychoanalyst, but he plays one on "In Spades" (Sub Pop). Resurrecting Afghan Whigs after a 16-year hiatus in 2014, he's back for round 2 of the band's reincarnation, and the id runs wild. Read the review
- Contender RecordsIt's pretty much impossible to capture the vibe of full-tilt Low Cut Connie on tape. But "Dirty Pictures (Part 1)" (Contender) comes close enough often enough to qualify as a worthy substitute for one of the Philadelphia quartet's bar-room blowouts.
- Xi Sinsong photoOn Bonzie's second album, "Zone on Nine" (Beevine), she once again skirts categorization. She writes all the music and co-produces with Jonathan Wilson (who has worked with Father John Misty and Conor Oberst) and Ali Chant (Perfume Genius). Her collaborators include Utley, which speaks to the ambition of an album that embraces the art-pop leanings of artists and bands such as Portishead, St. Vincent or Kate Bush. Acoustic guitar and voice shape its modest core. Most of these songs would work in a more conventional singer-songwriter context, but Bonzie gives them a much wider scope. Read the full review.
- Columbia Records / APSo is there really something about Harry? The 10 songs edge toward '70s revivalism rather than 2017 hip-hop-EDM-urban-contemporary stylishness, a move presaged by One Direction tracks such as "Four" and "Fireproof." Producer Jeff Bhasker specializes in freshening up retro-leaning sounds with artists such as Kanye West, Jay-Z and Mark Ronson-Bruno Mars ("Uptown Funk"). In addition, Bhasker co-wrote nine of the 10 songs with Styles, along with a small team of hired guns. Read the full review.
- Alyssa Pointer/Chicago TribuneSir the Baptist, aka William James Stokes, is the son of a preacher, and his major label debut, "Saint or Sinner" (Atlantic), has one foot on the street and the other in a church. Read the review.
- ATO RecordsIn times of crisis, what role will we play? Is bearing witness enough or do we need to act? And if so, how? By the end of "Witness," Benjamin Booker provides the answer, and it's energizing and chilling. Read the review
- Michal CizekI/ AFP/Getty ImagesChuck Berry's surprise announcement last October that he would release his final studio album this year was made all the more poignant by his death March 18 at age 90. "Chuck" (Dualtone/Decca) very much sounds like a career capstone, a thank-you to the people who mattered most to him — from his wife of 68 years, Themetta "Toddy" Suggs to the fan in the second row at one of his concerts. Read the full review.
- Lava/RepublicFour years after "Pure Heroine" made Lorde a 16-year-old star with a knack for a celebrating a generation on the cusp of adulthood, she returns with the darker, more troubled "Melodrama" (Lava/Republic). Read the review
- Nonesuch RecordsWith its political undertones — "When the world insists/ That the false is so" — this a protest album packaged inside a sumptuously orchestrated series of songs. Read the review
- AP"Everything Now" is a tighter but not better album. The heavyweight arena anthems of Arcade Fire's 2004 debut, "Funeral," are long gone, replaced by brooding lyrics encased in lighter music. Read the review.
- MatadorOn “Villains” (Matador), only the band’s second album since 2007, Josh Homme splices together rock swagger, dance swing, vocal androgyny and art-band weirdness into songs that can’t be easily pinned down. Read the review
- Atlantic“A Deeper Understanding” arrives as another year-plus-in-the-making labor of love, emphasis on the word labor. An armada of guitars, keyboards and percussion instruments conjures a thick, slow-moving river of sound that ebbs and flows, winds and whispers and occasionally rises to a crescendo of feeling. It is an exercise in maximalism. Read the review.
- Chris Sweda / Chicago Tribune“American Dream” is a breakup album of sorts but not in the traditional sense. This is about breakups with youth, the past, and the heroes and villains that populated it. It underlines the notion of breaking up as just a step away from letting go — of friends, family, relevance. Read the review.
- Kill Rock Stars“Invitation” largely suggests that Filthy Friends is more about paying homage to its record collections rather than pushing any kind of agenda, political or otherwise. It’s fun, but it’s also a bit tentative, as if this band of all-stars was still trying to find its collective voice. Read the review.
- Jagjaguwar / handoutAfter years of small, carefully articulated recordings and one-man shows, Moses Sumney has finally released his long-gestating debut album, “Aromanticism” (Jagjaguwar), and it’s as resistant to instant categorization as his earlier work. The self-produced album is strikingly, starkly intimate — it sounds like the loneliest place on Earth, wherever that might me (an island, a cave, someplace in the listener’s head). Read the full review.
- DominoProtomartyr is not a particularly political band nor does it make protest music, but it has made an urgent, unflinching album about the times we live in. Read the review.
- Shawn BrackbillTorres’ singing is open and sincere. She’s not one for sly winks or ironic statements, and she’s transparent about seeking liberation — psychic, spiritual and especially physical — in “Three Futures.” Read the review.
- RedEyeSt. Vincent, aka Annie Clark, drops some of the emotional armor on her fifth studio album, "Masseduction" (Loma Vista), which comes off as not only one of her most ambitious works, but also her most transparent. Read the review
- CapitolBeck was supposed to be a one-hit wonder, but more than two decades after “Loser,” he remains an artist to be reckoned with. His previous release, “Morning Phase,” even earned him his first album of the year Grammy in 2015. But if you have the sneaking feeling that somehow you’ve already heard his recent albums, it’s because you have. With “Colors”, his 13th album, Beck continues to move forward by mining his past. Read the full review.
- Julien BakerThat deep hole that Memphis singer-songwriter Julien Baker started to dig when she was still a teenager on her 2015 solo debut, “Sprained Ankle”? It gets wider and deeper on “Turn Out the Lights” (Matador), an album that turns its predecessor’s intimacy into something far more ambitious. Read more.
- Father/Daugther RecordsNow with a new label home, Shamir turns “Revelations” into a raw rock-folk record that evokes his early days in the Vegas indie scene, when he made the rounds as an unconventional country-pop singer and played in an experimental rock band. Read the review.
- Mert & MarcusThough “Reputation” sounds different from any previous Swift release, as pop music it’s in fact relatively conservative, especially when compared with the latest releases of artists such as Lorde, Beyonce or Rihanna. Even an odd-couple pairing on “End Game” fails to spark. Future, who sounds bored, and milquetoast singer-songwriter Ed Sheeran, who tries to rap, sound like they’re trying hard not to upstage each other, let alone outshine Swift. Read the full review.
- EpitaphConverge was never about nihilism — the world may be going to hell, but these guys weren’t going to succumb to it, preferring to fight rather than acquiesce. Their songs were knotty, abrasive and anthemic. Read the full review.
- One Little IndianLike most of her recent albums, Bjork’s “Utopia” suggests a multimedia project or movie as much as a musical event. Read the review.
- Interscope RecordsThe initial impression left by “Songs of Experience” is of a more tempered and low-key U2, with Bono delivering some unusually warm and intimate vocals that suggest a man who has indeed faced some sort of personal reckoning. Read the review.
- Numero Group“Savage Young Du,” a blistering three-CD box set compiled by Chicago-based Numero Group, builds a strong case for Husker Du in its formative stages. Read the review.
- APNot many albums could survive Ed Sheeran performing reggae, but Pharrell Williams always took chances — not all of them successful — in N.E.R.D.Despite the Sheeran gaffe, “No One Ever Really Dies," the band’s first album in seven years, is a typically diverse, trippy ride from the group that established Williams’ career as a performer in the early 2000s alongside Chad Hugo and Shay Haley. Read the full review.
- Polyvinyl RecordsJeff Rosenstock opens “POST-” (Polyvinyl) with a brief spoken-word introduction followed by a seven-minute multipart track that howls and staggers, a punk-prog manifesto that smashes together big guitar chords, cowbell-driven rhythms, Queen-like choirs, black humor and raging declarations that put a twist on the Bobby Fuller Four-via-the Clash (“I fought the law, but the law was cheating”). Read the review.
- Drag CityTy Segall's "Freedom Goblin" plays like a 19-song, 75-minute tour of Segall’s record collection, indulging in everything from wispy folk to speed metal, with shots of psychedelia, garage and even disco. Read the review
- HandoutIt was more than a decade ago when Justin Timberlake promised to bring “SexyBack” and demonstrated how a boy-band alum could morph into pop star 20-something maturity. But since then, a burgeoning movie career and increasingly sporadic recordings have made the singer something of an afterthought on the charts he once dominated. With “Man of the Woods” (RCA), he sounds like he’s struggling to find his place in the pop world as a 37-year-old family man. Read the full review.
- Columbia“Little Dark Age” does return to some of the “form” of “Oracular Spectacular” with its greater pop accessibility, but it also embraces a less obvious and more intriguing path on several songs. Read the review
- Merge RecordsSometimes a guy can only take so much. Mac McCaughan arrived at that moment in November 2016, around the time of the presidential election, and poured his unfiltered anger into a batch of songs that make up Superchunk’s sardonically titled “What a Time to be Alive” (Merge). Never particularly keen on writing protest music or songs that could be construed as overtly political in a career that stretches back to 1989, McCaughan took the dive because if not now, when? Read the review
- Doomtree RecordsDessa likes to color outside the prescribed margins of genre, and “Chime” (Doomtree), her fourth studio album, lets its rigorous daydreaming bounce from chamber pop to straight-up hip-hop without strain. Read the review
- Matador RecordsLucy Dacus’ modesty precedes her. Her 2016 debut album, “No Burden,” was a school project that wasn’t necessarily designed to introduce her to the world. But “it turned out better than I thought it would,” she once said, and so she quit college to see where it would lead. A deal with Matador Records ensued, and the 22-year-old Virginian took her time with the follow-up, “Historian." It represents a staggering leap. As good as “No Burden” was, “Historian” is better: songs like short stories; sneakily hard-hitting arrangements; dreaminess and catharsis, often in the space of a few verses. Read the full review.
- John Konstantaras / Chicago TribuneOn her seventh studio album, “Golden Hour” (MCA Nashville), the singer-songwriter doesn’t get hung up on genre. She’s made a style-hopping pop album that infuses her songs with a relaxed spaciousness while muting, but not ignoring, her country roots. Read the review
- Bloodshot RecordsSarah Shook’s “Years” (Bloodshot) is an album about what happens to a woman when her seemingly endless trove of patience runs out. It’s about letting go of a relationship (or a series of relationships) with partners whose ive-aggressive behavior turns toxic. The 10 songs describe how wheels spin in futile relationships until, one clear day, they fall off. Read the review
- Jean-Baptiste Lacroix, AFP/Getty ImagesThe new album embraces her individuality more explicitly than ever, both more autobiographical and more politically and socially direct than anything she’d recorded previously. It’s a rawer, less elaborate work than its predecessors, yet still hugely ambitious. Read the review
- Frenchkiss Records"Let me forget the words.” That’s the wish that opens Eleanor Friedberger’s fourth studio album, “Rebound” (Frenchkiss). The album loosely chronicles a journey into the singer’s ancestral past in Greece, where she went to forget herself and a world that was taking a turn for the worse. She emerged from her hiatus with a new sound and a renewed perspective. Read the review
- Anti“Hell-On” (Anti-), Neko Case's seventh studio album and first in five years, is among her catchiest albums and also one of the most elusive and allusive, full of yearning for a planet that is leaking mystery like a punctured balloon. Read the review
- Chris Sweda / Chicago Tribune“Ye” isn’t so much a musical statement as a 23-minute, seven-track therapy session. Read the review
- Test PatternSoft Science extends that legacy on its third album, “Maps” (Test Pattern), and adds its own twists. The soft, almost cooed vocals of singer Katie Haley bring a pop veneer. Read the review.
- Merge Records"Patch the Sky" is something of a darker twin to the 2014 "Beauty and Ruin," itself an album filled with grief and reckoning. But the music, in contrast to the often bleak, edge-of-despair lyrics, is cleansing. The simple tools at hand — guitar, bass and drums — provide a way out.
- Matt Sayles/Invision/APKendrick Lamar's “Untitled, Unmastered” is presented as an unfinished work, though it rarely sounds like one. Read the review.
- Columbia/Legacy Recordings"You and I" is more a raw sketch than a fully formed portrait of a 26-year-old artist still coming to with what he wanted to say and how he wanted to say it. Read the review.
- Alligator Records"God Don't Never Change: The Songs of Blind Willie Johnson" (Alligator) pays tribute to the slide-guitar master by reaffirming the durability of his songs. Read the review.
- Redwing RecordsBonnie Raitt's 20th album, "Dig in Deep" (Redwing), works as a survey of the singer's past and a mature expression of where she is now. Read the review.
- NBCKanye West's "The Life of Pablo" (GOOD/Def Jam) sounds like a work in progress rather than a finished album. It's a mess, more a series of marketing opportunities in which West changed the album title and the track listing multiple times, to the point where the very thing that made West tolerable despite a penchant for tripping over his own ego — the music itself — became anti-climactic. Read the review.
- Marvel Studios / handoutKorath (Djimon Hounsou), Att-Lass (Algenis Perez Soto), Carol Danvers aka Captain Marvel (Brie Larson), Bron-Char (Rune Temte) and Minn-Erva (Gemma Chan) in "Captain Marvel." Read the review.
- Sony Pictures ClassicsA scene from the animated feature "Ruben Brandt, Collector," the debut feature from Slovenian-born animator Milorad Krstic. Read the review.
- Patti Perret/CBS FilmsCystic fibrosis patients Stella (Haley Lu Richardson) and Will (Cole Sprouse) negotiate a tricky mutual attraction in "Five Feet Apart," directed by Justin Baldoni. Read the review.
- Focus FeaturesMatthias Schoenaerts plays a convict who s a Nevada prison's wild-horse training program in "The Mustang." Read the review.
- A24Julianne Moore (right, with John Turturro) listens to her new lover's favorite poetry and wonders about their future in Sebastian Lelio's "Gloria Bell," an English-language remake of the 2013 Chilean film. Read the review.
- Music Box FilmsIn wartime Marseille, refugees Georg (Franz Rogowski) and Marie (Paula Beer) find their very identities shifting beneath them in "Transit." Christian Petzold adapts the Anna Seghers novel, written in 1942. Read the review.
- Claudette Barius / Universal Pictures"Get Out" writer-director Jordan Peele returns with "Us," starring Oscar winner Lupita Nyong'o as a beach vacationer confronted by a sinister, scissors-wielding doppelganger. Read the review.
- Magnolia PicturesA choir director (Halldóra Geirharðsdóttir) takes aim at a drone in the Icelandic comedy "Woman at War," opening this week at the Music Box Theatre. Read the review.
- Fox SearchlightIn post-World War II Hamburg, a British colonel's wife (Keira Knightley, right) embarks on an affair with a German architect (Alexander Skarsgard) in "The Aftermath" co-starring Jason Clarke. Read the review.
- The OrchardA ruthless Wall Street maven (Salma Hayek) threatens a former employee turned competitor (Alexander Skarsgard) in "The Hummingbird Project," also starring Jesse Eisenberg. Read the review.
- Steve Wilkie / APUnburdened by Batman and Superman, the DC Comics realm turns in a not-bad origin story buoyed by Zachary Levi as the superhero version of 15-year-old Billy Batson (Asher Angel). Read the review.
- Cohen Media GroupZhao Tao stars as a provincial underworld figure who goes to prison for her gangster lover and returns to an uncertain freedom in Zia Zhangke's "Ash is Purest White." Read the review.
- STX FilmsKlansman C.P. Ellis (Sam Rockwell, left) squares off against civil rights activist Ann Atwater (Taraji P. Henson, right) while desegregation facilitator Bill Riddick (Babou Ceesay) looks on in "The Best of Enemies." Read the review.
- Walt Disney PicturesIn Disney's live-action "Dumbo," the charm is gone and the peril and destruction goes crazy. Director Tim Burton's cast, including Colin Farrell, Danny DeVito, Eva Green and Michael Keaton, do what they can. Read the review.
- Neon ReleasingSet in the Florida Keys and Miami, "The Beach Bum" follows the fortunes of carefree stoner/poet/libertine Moondog (Mattthew McConaughey, left, with Snoop Dogg) as he lives life his way. And not in a shy way. Read the review.
- IFC FilmsMary Kay Place gets the leading role she has deserved too long in "Diane," writer-director Kent Jones' drama, laced with low-keyed comedy. Read the review.
- APWhen Aretha Franklin recorded her bestselling gospel album in early 1972, director Sydney Pollack's camera crew shot many hours of footage, unseen publicly until now. "Amazing Grace" is now in theaters. Read the review.
- A24The last surviving prisoner trapped on an interstellar mission (Robert Pattinson) raises a baby girl (Scarlett Lindsey) in captivity in Claire Denis' "High Life." Juliette Binoche co-stars. Read the review.
- Jeff Wilson/DisneynatureSteve the penguin (voiced by narrator Ed Helms) takes center stage in Disneynature's "Penguins." Read the review.
- Christian Black / Metro Goldwyn Mayer PicturesCon artists Josephine (Anne Hathaway) and Penny (Rebel Wilson) compete for control of some lucrative turf in "The Hustle." Read the review.
- Liu Hongyu/Kino LorberBi Gan's hypnotic tale features an hourlong single-take 3D sequence, in a story of one man's search for an old love starring Wei Tang and Yongzhong Chen in "Long Day's Journey Into Night." Read the review.
- Falco InkCrime blogger Alexandria Goddard pieces together the timeline of events from teenagers' social media activity in documentary "Roll Red Roll," opening at Facets Friday. Read the review.
- Fox Searchlight PicturesHeading off to the Great War, future Middle-earth fantasist J.R.R. Tolkien (Nicholas Hoult) and his beloved fellow orphan Edith Bratt (Lilly Collins) are the subjects of the new film "Tolkien." Read the review.
- Magnolia PicturesAnti-Satanic Temple protesters in Little Rock, Ark., square up against their religious and ideological opposites at a religious freedom rally in the documentary "Hail Satan?" Read the review.
- Marvel StudiosIron Man, Captain Marvel and the rest of the Marvel gaggle return (spoiler alert!) in this grandiose, three-hour example of fan service. It's a lot better than "Infinity War." Read the review.
- Bankdrama Film Ltd.Ethan Hawke and Noomi Rapace star in "Stockholm," the fact-based bank robbery movie that inspired a syndrome. Read the review.
- Niko Tavernise/LionsgateKeanu Reeves returns as the moody assassin for the third installment in the "John Wick" franchise. Read the review.
- Sony Pictures ClassicsIn his final years, William Shakespeare (Kenneth Branagh, who also directs) returns home in "All is True," a highly speculative biopic co-starring Judi Dench and Ian McKellan. Read the review.
- Daniel Smith / APGenie (Will Smith, right) explains the three-wishes thing to the title character (Mena Massoud) in Disney's "Aladdin," director Guy Ritchie's live-action remake of the 1992 animated feature. Read the review.
- Annapurna PicturesEager to make up for lost time, longtime best friends Molly (Beanie Feldstein, left) and Amy (Kaitlyn Dever) set out to the last night of high school one to in "Booksmart." Olivia Wilde directed. Read the review.
- IFC FilmsAn actress (Juliette Binoche), married to a literary editor (Guillaume Canet), is stepping out with one of his more troublesome authors in the Olivier Assayas confection "Non-Fiction." Read the review.
- David Appleby / APElton John (Taron Egerton) lays down a track for his express train to super-stardom in "Rocketman." The musical biopic co-stars Jamie Bell as lyricist Bernie Taupin. Read the review.
- APThe real stars of "Godzilla: King of the Monsters" are sound designers Erik Aadahl and Ethan Van Der Ryn. Their aural creature designs actually sound like something new — part machine, part prehistoric whatzit. Read the review.
- Sony Pictures ClassicsA courier delivery man (Alexandre Landry) and Montreal's priciest escort (Maripier Morin) navigate a world of underworld riches in Denys Arcand's "The Fall of the American Empire." Read the review.
- Twentieth Century FoxSophie Turner as Jean Grey, anger management student, in "Dark Phoenix." The film, the latest in the "X-Men" franchise, costars James McAvoy, Michael Fassbender and Jessica Chastain. Read the review.
- Pixar / APWoody introduces the gang to a homemade spork toy with self-esteem issues in "Toy Story 4." Read the review.
- Emily Aragones / APA late-night TV talk show host (Emma Thompson) faces falling ratings, personal crises and a blindingly white-male writers' room in "Late Night," co-starring and written by Mindy Kaling. Read the review.
- Giles Keyte / Columbia PicturesTessa Thompson, left, and Chris Hemsworth star in as agents trying to save the world in "Men in Black: International." Read the review.
- Laila Bahman / A24A rapidly gentrifying San Francisco is the setting for director Joe Talbot's striking debut feature, about a man reclaiming a Victorian beauty as his own in "The Last Black Man in San Francisco." Read the review.
When Ricky Gervais hosted the Golden Globes for the fourth (and, hopefully, not final) time last year, he joked that the president of the Hollywood Foreign Press Assn. threatened to personally pull him off the stage if he said anything “offensive or crass” or resorted to innuendo.
Of course, the evening was filled with wall-to-wall offensive, crass innuendo, including jokes about Roman Polanski’s love for “Spotlight” (“best date movie ever”), Ben Affleck’s wayward eye (Gervais called Matt Damon the only person Affleck “hadn’t been unfaithful to”) and introducing Mel Gibson with a comic bit that had the NBC censor scrambling for the mute button.
It was all in keeping with Gervais’ mission of skewering Hollywood hokum and self-importance — the very things that Jimmy Fallon, this year’s Golden Globes host, wears as a badge of honor on his late-night talk show.
To put it another way: The censors and the president of the Hollywood Foreign Press Assn. can probably relax, unless a game of beer pong or beer shuffleboard gets out of hand. (Though, if presenter Amy Schumer was involved, it’d probably be one of the night’s most memorable moments.)
Other than a level of obsequiousness unseen in the last seven years with hosts Gervais and the beloved tag team of Tina Fey and Amy Poehler (who once joked that George Clooney would rather “float away in space and die than spend one more minute with a woman his age”), what else can we expect from this year’s Golden Globes? Five burning questions and their answers.
Some people are predicting “Hacksaw Ridge” is going to win top motion picture drama. If so, can Gervais present the award to Mel Gibson?
Probably not. But more than a few Hollywood Foreign Press Assn. have told us over the last few months how much the group loved Gibson’s bloody war movie about Desmond Doss, a conscientious objector awarded the Medal of Honor for bravery in combat.
“Hacksaw Ridge” taking this Globe over “Manchester by the Sea” and “Moonlight” would be surprising on many levels, none more so than the startling comeback it would represent for Gibson, who was openly mocked at this show just last year. Let’s just hope he combs out the bread crumbs from his beard before he takes the stage.
Wait. Did you say “Manchester by the Sea” or “Moonlight” might not win the best picture drama Globe? Wouldn’t that cripple their Oscar chances?
No. “Spotlight” didn’t win the Globe last year. Neither did “Birdman” the year before. And both movies went on to win the Oscar for best picture.
We won’t go so far as to completely agree with Gervais’ contention that a Golden Globe is a “bit of metal some nice old confused journalists wanted to give you in person so they could meet you and have a selfie.”
But that’s pretty close.
There’s no overlap between the 85 selfie-loving who vote on the Globes and the motion picture academy’s 6,687 voters. But there is one difference this year: Oscar ballots went out Thursday, so the Golden Globes falls within the academy’s voting window. Anything a contender does or says at the show could make a lasting impression with Oscar voters. No pressure! Just maybe on the refills when the waiter brings around the wine.
OK. We get it. No overlap. But is there any Oscar favorite with a lot to lose Sunday night?
Because the Globes split movies into drama and comedy/musical categories, Damien Chazelle’s lovely musical “La La Land” is pretty much out by its lonesome in the latter group, fending off the feeble likes of “Florence Foster Jenkins,” “Sing Street” and (ahem) “Deadpool” for the title of best picture, musical or comedy.
“La La Land” is not going to lose. How could it, right? Right? But if it somehow did lose and its stars Emma Stone and Ryan Gosling don’t wind up holding trophies (at least one of them needs to win, preferably Stone), then a few academy voters might look at the Hollywood Foreign Press Assn.’s verdict and think, “Yeah. ‘La La Land’ really isn’t all that great.” (Even though, having seen it three times, we’re here to tell you it is. So watch it again and get your mind right.)
Will the show pay tribute to Carrie Fisher and Debbie Reynolds?
Normally, the Globes telecast doesn’t include an “In Memoriam” segment. But these aren’t normal times that we’re living — and dying — in. So, yes, according to Globes producer Barry Adelman, there will be some sort of appreciation for the lives of mother and daughter, Reynolds and Fisher, who died within a day of each other in December. Other celebrities may also be included. Have your tissues at the ready.
Who will give the night’s most memorable speech?
Memorable as in weird? Billy Bob Thornton for “Goliath.” Memorable as in shocked and life-changing? Issa Rae for “Insecure.” Memorable as in eloquent and empowering? Viola Davis for “Fences.”
‘The 74th Annual Golden Globe Awards’
Where: NBC
When: 5 p.m. Sunday
Rating: Not rated
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